Landscapes and figures: perplexed. The new German cinema 1962-1982
Author Carlos Losilla y José Enrique Monterde (Ed.), 2007
Description What is the role of Germany in the contect of the "new cinema" that arose during the 1960's all around Europe? What are the features that make the New German Cinema different from others like it? Is it true that two different generations must be considered regarding this, the one that arouse around the 1962 Oberhausen manifesto and that one that would appear years later under its influence?